Hero Work
Motion + Video
MAKE
THE IDEA
MOVE.
Animation, commercials, character work, live-action direction, VFX, compositing, editing, motion graphics and sound. Sometimes I make every frame. Sometimes I direct the room. The constant is staying close enough to the work to make the idea survive production.
Selected motion + video
Not 42 videos.
The ones worth stopping for.
Selected commercial, animation, motion, VFX and production work from across the archive.
Kelley & Dawson
Tempy / Film 01
Kelley & Dawson
Tempy / Film 02
Range 54 · Home Alone Parody
Range Alone
Uno Más
Restaurant Identity
Comfort Pros
Modern Retro
Environmental Filter
American Manufacturing
Motion Graphics
ELP CrewPay
Farha's
Flooring
Mel Hambelton Ford
Black Friday Teaser
Mel Hambelton Ford
Summer Escape
Crazy Jay's Bed Shop
Selection & Savings
Environmental Filter
End-to-End Production
Big Corner Creative
Local Services Ads
Farha's
Kitchen Remodel
Motion inside bigger systems
Sometimes the film
is only one piece.
These projects use motion as part of a larger brand, campaign or communication system. The case studies show how the moving work connects to everything around it.

Tempy
Animation and sound supporting the revival of a mascot that had been dormant for decades.
View full case study →
Comfort Pros
Live action, physical production and original animation inside a character-driven campaign.
View full case study →
Superior Air Products
Video direction, editing and motion graphics inside a larger technical communication system.
View full case study →
Mel Hambelton Ford
Commercial and motion work inside more than a decade of brand and retail stewardship.
View full case study →How I work
I can direct it.
I can also open the timeline.
Concept
Find the idea and determine what motion is actually doing for it.
Script + Board
Plan the story, beats, shots and transitions before production gets expensive.
Direct + Make
Lead live production or build the animation, effects and graphics directly when needed.
Edit + Finish
Shape timing, compositing, graphics, sound and final delivery into one coherent piece.
The range
More motion
The archive can be deep.
The front door shouldn't be.
The strongest work lives here first, with deeper supporting pieces available through the broader archive.
Keep going